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THE WEREWIF
Written by Michael Wakcher and Gwydhar Bratton
Illustrated by A. Gwydhar Bratton
BOYS & BERRIES
By Alejandro Morales
RAINBOW WARRIORS
Written and created by Manuel Ríos Sarabia
Pencils by Gared Campos
Digital Inks and color by Evim Aguilar
THE FEARLESS ZOMBIE HUNTERS
Written and Created by Manuel Ríos Sarabia
Art by Gared Campos
Lettering and tweaking Sadhaka
SAINT CARRIE OF THE DIVINE PAGEANT
Story and Lettering by Brian Andersen
Art and Colors by Michael Troy
THIS GAY EXISTENCE
by Adam Fair
PINK TIE
By Rob Dennis
ANOTHER TIME
By Richard Crockett
BORDERLINE
Lorin Arendt
THE CATTY CORNER
by Joe Carr
MY BEST FRIEND IS GAY
by Jessica Zimmer
AARON FREY
Written and drawn by Aaron Frey
UNABASHEDLY BILLIE
Words and Pictures by Brian Andersen
Inks and Letters by Preston Nesbit
LOVE, DEATH, AND UFOS
Story & Art: Mark Andrews
Graphics & Lettering: Bretton Clark
Titles: Aenigma:design
PRIDE HIGH
Story by Tommy Roddy
Pencils, Inks, & Colors by Brian Ponce
Edited by Carl Hippensteel
MADKAT THE KOMIC
Writer and Artist: Rick Dilley
EMANCIPATION
Tony Smith, Story & Letters
Rick Withers, Original Pencils & Inks
Giuseppe Pica, Colors
SPARKLE #1: THE LOST PAGES
Paige & Kevin Alexis (PKA)
LOVE
Written and drawn by Matt Fagan
ANGLE #1: THE LOST PAGES
Paige & Kevin Alexis (PKA)

Queer Eye on Comics
THE UNOFFICIAL HANDBOOK OF THE MARVEL Q-NIVERSE, PART 4 (POETIC PRIMER EDITION)
Posted July 18th, 2010
WARLORD'S COSTUME (OR LACK THEREOF)
Posted July 11th, 2010
PROJECT RUNWAY VS WONDER WOMAN'S MAKEOVER
Posted July 4th, 2010
THE UNOFFICIAL HANDBOOK OF THE MARVEL Q-NIVERSE, PART 3
Posted June 20th, 2010
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Color Commentary
THEY'RE ONLY MADE OF CLAY
Posted June 30th, 2010
TASTE THE RAINBOW! READ THE RAINBOW! (AND CRINGE) PART 2- THE GOOD GUYS
Posted June 19th, 2010
TASTE THE RAINBOW! READ THE RAINBOW! (AND CRINGE) PART 1- THE BAD GUYS
Posted June 15th, 2010
WALTER AND SAMUEL: BLACK LIGHTNING #5
Posted June 1st, 2010
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Spectrum
IPAD PUBLISHING NO SAVIOR FOR SMALL PRESS, LGBT COMICS CREATORS
Posted May 24th, 2010
WONDERCON 2010: WUVABLE OAF AT PRISM COMICS
Posted April 1st, 2010
GOT A TIP FOR PRISM?
Posted March 31st, 2010
INTERVIEW WITH SEAN MCGRATH
Posted March 16th, 2010
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External Features
DID ULTIMATE SPIDER-MAN JUST BREAK ANOTHER BARRIER?
Posted July 29th, 2010
on Newsarama Blogs
Spider-Man, pining in a park with all the loving couples. But what’s that to his far right? Your eyes aren’t deceiving you — that’s a happy homosexual couple, moving in for a kiss. Is this a first for Marvel Comics, putting a gay kiss on a...
COMICS RECS: THREE FUN BOOKS I FOUND AT COMIC-CON
Posted July 28th, 2010
on Pop Candy
Wuvable Oaf by Ed Luce (Goteblud Comics, $3.95) -- I can't believe I'm just discovering this series. Oaf follows a beefy, hairy, sensitive guy who loves kitties, Morrissey, metal, dolls, '80s nostalgia, comics and men. (We have a lot in common.)
REVIEW: STUCK RUBBER BABY BY HOWARD CRUSE
Posted July 26th, 2010
on Lambda Literary
It struck me, while reading Stuck Rubber Baby so many years after its publication in 1995, that its setting, what its author Howard Cruse refers to as “Kennedytime,” makes it the perfect accompaniment to Mad Men and the current...
COMIC-CON WEEKEND MUSTS: "GAYS IN COMICS" AND "GLEE" PANELS
Posted July 24th, 2010
on San Diego Gay & Lesbian News
Comic-Con International 2010 is still going strong this weekend at the Convention Center. Two particular events are of keen interest to the LGBT community.

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Boy Meets Hero
Chayne Avery - Creator, Writer, Penciller, Inker, Letterer and Colorist
Russell Garcia - Writer, Digital Effects Colorist, and Web Designer

www.boymeetshero.com, 2005



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Boy Meets Hero
by Brett A. Murphy
[Print-ready Version]

I’ll tell you right off the bat – this was a difficult review to write. As unbiased as I try to be whenever going into a new piece of work (especially one I’m reviewing), I was truly hoping for “Boy Meets Hero” to be great. The most popular webcomics these days cater to an audience that is decidedly non-gay-friendly. Even if the strips and/or authors offer no ill will to the gay community, the “Halo Crowd,” as I’ve come to call them, seem threatened by anything outside their sphere of life and have no problem with spouting all sorts of nonsense across the internet and online gaming. What does this have to do with “Boy Meets Hero” you ask? Well, aside from being a webcomic, the strip seems to be an answer of sorts to the aforementioned group of webcomics. The story of the Blue Comet ("Derek" in his civilian life) and Justin (brother of Blue Comet’s partner, Sunstar) is another dip in the superhero pool that tries a quadruple somersault with a half-twist tuck to varying success.

The idea to write a story of a famous superhero hiding not only his civilian I.D., but also a same sex-relationship is a great one. It puts a new spin and added strain on the ages-old Superman/Clark Kent story. Aside from character angst, this double dual-identity (a "straight/superhero" identity and a "gay/civilian" identity) storyline adds quite a bit to the plot as well. For example, the villain’s entire reason for attacking our heroes is dependent on Blue Comet being in the closet at the start of the story, proving (again) that heroes can make the same mistakes the rest of us do. And Blue Comet's unexpected mistake (not the "being in the closet" mistake) as revealed in a flashback in issue #4 was a biggie - he created a villain, for crying out loud!

The problem is that on top of these great possibilities is a giant pile of exposition. For every action scene of the Blue Comet knocking out a giant sea serpent, or of Derek and Justin just spending time together, there are five scenes of him essentially talking to the camera about the importance and/or fear of coming out of the closet. But even then, there are read-worthy moments. There are two instances where the transitions fade to Justin and Derek falling into each other at home and later on a secluded beach. These two scenes exemplify one of the strengths of the book – the relationship between Justin and Derek. Aside from some goofy one-liners (though I have heard some couples say things like “I’m the lucky one here, J! Do you realize how irresistible and hot you are?” and “I’m so into you. I’ve been since the moment I saw you!”), their relationship does seem real. Granted, it may be an idealized relationship being two incredibly good-looking 20-somethings living in California, but at least it’s feasible and written realistically. However, since contradicting myself is a lot of fun, every time Justin and Derek have a natural conversation it will invariably turn to one of them questioning why Derek doesn’t come out of the closet. Obviously, coming out to the world at large (or just a select inner circle, for that matter) is a big deal for most people. It bears discussion and a place in fiction just like all other milestones in life. It does not belong on every third page of a superhero webcomic. Not that gay issues can’t be discussed in a medium such as this, but I don’t need the characters explaining what it means to come out. I think most people understand both the perils and the benefits to revealing their sexuality.

The strip is infused with a lot of small details that bring the background world to life. The World Hero Organization calls itself W.H.O. like many government agencies. Their ad campaign? “W.H.O. Cares.” Aside from a quick one-line joke, the only time you see this is on billboards in the backgrounds. The host of the superhero tabloid show, Access Hero World, is Carson Knightly, a non-too subtle jab at the famous-for-no-real-reason Carson Daly. These little jokes, non-verbal asides really, really do a lot to fill out the strip and give it an almost Astro City feel.

To say the art for the series is inconsistent would be an understatement. One panel could look like something your nephew drew in MS Paint and then the next could be the most polished, detailed panel you’ve see in a web comic since Apple Geeks. The artist states on the site’s front page that he didn’t have the time or talent when the strip started to really push the art to a professional level. He’s since gone back to punch up several scenes (such as this one detailing a sea monster attack, see the before and after panels) and as soon as he has time and/or inclination to polish the whole book there’s really very little I could say as a negative. The art appears simple, but the backgrounds are so full of life that the images really do jump off the screen.

When it comes down it, “Boy Meets Hero” is a great idea that’s been wounded in execution. It’s not dead yet, but we need a doctor in here stat. The creator announced on the site that a sequel is coming in 2008 starring Justin and Derek in their new roles seen at the end of the strip, and while I’ll certainly be stepping lightly, I do plan on following the adventures of these two. The possibilities are too great. Even if the writing doesn’t tighten itself up and get off its soapbox, the art has progressed wonderfully since the first panel and only seems to be getting better.


Editor's note: Check out Boy Meets Hero at the mothership web site or order the new hardcover edition here


Brett A. Murphy has a degree in Creative Writing from one of those Godless East Coast liberal schools that he currently wastes working in importing. He is transitioning into the editorial field in the hope of aggravating all of the readers he was once a part of. Only then will his bid for world domination truly begin.

Boy Meets Hero © 2005 Chayne Avery & Russell Garcia. Review © 2008 Brett A. Murphy

Prism Comics promotes the works of the LGBT community in comics. It does not implicitly endorse any other material or products associated with those works. Any opinions expressed are those of the author(s).


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